January 1943. Chicago, Illinois. “Mrs. Marie Griffith, manager of the information room, at one of the boards listing rates to points all over the country at the Union Station.”
(Gefunden bei shorpy.com)
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January 1943. Chicago, Illinois. “Mrs. Marie Griffith, manager of the information room, at one of the boards listing rates to points all over the country at the Union Station.”
(Gefunden bei shorpy.com)
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November 1942. “Chicago, Illinois. These pneumatic tubes in the Illinois Central Railroad yardmaster’s office connect him with the general office.”
(Gefunden bei shorpy.com)
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Joad Family Album, 1938 (Horace Bristol)
In the winter of 1937-38, photographer Horace Bristol and writer John Steinbeck teamed up for a Life magazine assignment and for nearly two months traveled California interviewing migrant workers of the Great Central Valley. Before finishing the project, however, Steinbeck withdrew—deciding to utilize the research for his novel The Grapes of Wrath instead of an article for Life. When Steinbeck’s book was published in 1939, Life ran an article featuring the photographs taken by Bristol. Rather than using the real names of those photographed, Life used the fictional names of Steinbeck’s characters with captions featuring excerpts from The Grapes of Wrath—thus creating a photo album for the fictional Joad family that has since been mistaken for reality…
(Gefunden bei pureblog.tumblr.com)
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zuky schreibt:
Jazz in the 1930s.
Rock ‘n’ roll in the 1950s.
Disco in the 1970s.
Hip hop today.
And what’s interesting is
They co-opted all of those things and are clawing at hip-Hop
Trying to make it their own
Don’t forget Blues, R&B, Soul, etc.
And what I think is funny is American popular music
BEGAN with minstrel songs… where Whites used to where Blackface
and pretend to be Black.
So literally, American music at its birth was Whites poorly imitating Black people.
& then people wanna be like
“BUT HIP HOP AINT JUST ABOUT BLAAACK PEOPLE, ITS FOR EVERYONE!! HAHAHA”
Not so gentle reminder that without Black folks
the US would have no musical legacy to speak of.
(Gefunden bei gh2u)
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June 1910. Philadelphia, Pa. “Michael McNelis, 8 years old, a newsboy. This boy has just recovered from his second attack of pneumonia. Was found selling papers in a big rainstorm today.” Photo by Lewis Wickes Hine.
(Gefunden bei shorpy)
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This image was made by William Carrick (1827-1878, born in Scotland but who spent his life chiefly in Russia) in the 1860’s, and is found at the National Gallery of Scotland, here.
(Gefunden bei longstreet)
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Pitralon-Anzeige, VEB Elbe-Chemie Dresden (1959)
(Gefunden bei scanzen.tumblr.com | via Harald Haefker)
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Vo Anh Khanh: A Cambodian guerrilla is carried to an improvised operating room in a mangrove swamp in this Viet Cong haven on the Ca Mau Peninsula (1970).
(Gefunden bei tonguedepressors.tumblr.com)
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Musician, writer, historian, researcher, Italian pioneer of the digitalization of historical multimedial material, Vincent “Enzo” Romano assembles, from 1990 up to today, the most complete Italian private digital archive related to the American History, from the end of XIX Century to 1970, and other “different” Collections regarding European historical events.
In October 2005, through the Project “ROMANO-ARCHIVES Special Collections Department”, Vincent Romano keeps distributing on line for the first time digital copies of historical documents belonging to some important Collections, taking the challenge to make even the most hidden and controversial documents regarding the Contemporary History easily findable and available, in a way capable to rise a wide range of interest and curiosity in the international public of the Web.
ROMANO-Archives has a YouTube channel with over 270 color film clips, called Unknown WWII In Color.
(Gefunden bei youtube)
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Pavilion der Luftfahrtindustrie auf der Pariser Weltausstellung 1937
(Gefunden bei dieselpunks.blogspot.de)
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Ein Film der American Mutoscope and Biograph Company, 1904.
Princess Rajah performs an “Oriental” or belly dance, and a balancing chair act in her teeth like that often found in folk performances in various cultures from Northern Africa to Greece. According to vaudeville historians Joe Laurie, Jr. and Douglas Gilbert, Princess Rajah started as a “cooch” (an early form of belly dance) dancer at Coney Island in the 1890s. She was booked for a time at Huber’s Museum in New York City before Willie Hammerstein presented her in her vaudeville debut at Hammerstein’s Victoria theatre on 42nd Street. In addition to her dance with a chair, she also performed an Oriental dance with snakes. She later married agent Clifford C. Fischer.
(Gefunden bei Vimeo | Jamie Christenbury)
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George Lincoln Rockwell (1918 – 1967) was the founder of the American Nazi Party. In the 1960s, he attempted to draw attention by starting a small record label. A truncated version of one of his band’s recordings, “Ship Those Niggers Back,” appears in the documentary The California Reich. When the Freedom Riders drove their campaign to desegregate bus stations in the Deep South, Rockwell secured a Volkswagen van and decorated it with swastikas and white supremacist slogans, dubbing it the “Hate Bus” and personally driving it to speaking engagements and party rallies.
(Gefunden bei collective-history | ratak-monodosico)
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Die Wikipedia über die amerikanische Wildwest-Heldin → Calamity Jane, eigentlich Martha Jane Cannary Burke (1852 – 1903).
(Gefunden bei mudwerks.tumblr.com)
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Rastplatz in einem Wal, Y. Muravin, 1960

Maßnahmen zur Erdbensicherung, K. Tarusov, 1978

Großchemie, M. Redkin, 1961

In der Nähe des Hotels Ukraina, E. Kassin, 1950
Die Wikipedia über die russische Nachrichtenagentur ITAR-TASS (Informatsionnoje telegrafnoje agentstwo Rossii), die, ihre Vorläufer mit eingerechnet, seit 1904 besteht. Seit 1992 arbeitet die Agentur unter dem Namen ITAR-TASS.
(Gefunden bei englishrussia.com)
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